For 20 years, in a range of opera and concert repertoire including Baroque, Classical, verismo, 20th Century and many of today's composers, Keith Phares has appeared in leading roles with Washington National Opera, Los Angeles Opera, Seattle Opera, the Metropolitan Opera, New York City Opera, New York Philharmonic, San Francisco Symphony, Los Angeles Philharmonic, São Paolo Symphony Orchestra, Santa Fe Opera, Glimmerglass Opera, Florida Grand Opera, Opera Theatre of Saint Louis and elsewhere; in collaboration with Hal Prince, Francesca Zambello, Frank Corsaro, Paul Curran, Richard Hickox, Patrick Summers, Harry Bicket, Marin Alsop, Sir Colin Davis, Sir Thomas Allen, among others; and in recital with the Marilyn Horne Foundation, WordSong, Illuminarts and LyricFest; bachelor's degree from the University of Richmond and master's degree from the New England Conservatory, with additional study at Music Academy of the West, Aspen Music Festival and the Juilliard Opera Center; studied with W. Stephen Smith, Richard Hughes, Edward Zambara, Marilyn Horne, Warren Jones, Steven Blier, Ken Merrilll and John Moriarty.

An ardent exponent of contemporary American opera, Phares sang Kynaston on the Grammy-nominated recording of Carlisle Floyd’s Prince of Players, Charlie in the premiere and recording of Jake Heggie's​ Three Decembers ​opposite Frederica von Stade with Houston Grand Opera and San Francisco Opera, the Father in the premiere and recording of Gregory Spears’ ​Paul's Case​ with UrbanArias and PROTOTYPE, Elder Tull in the premiere of Craig Bohmler's ​Riders of the Purple Sage​, Dr. Ludwig Binswanger in the premiere of Ricky Ian Gordon's ​Ellen West​, George Hurstwood in the premiere and recording of Robert Aldridge's ​Sister Carrie, and the title role in the premiere and live, Grammy-winning recording of Aldridge's ​Elmer Gantry.

With more than two decades experience as a vocal coach, collaborative pianist, choral conductor, and organist, Kevin J. Bylsma is a musician of impressive depth and ability, well known for his work in opera, art song, and oratorio. A longtime member of the Toledo Opera staff, Mr. Bylsma is currently the Head of Music Preparation and Chorus Master, and was recently names Co-Artistic Director with the company. He was formerly Music Director of the Department of Community Programs for the Michigan Opera Theatre and vocal coach, accompanist, and chorus master for OPERA! Lenawee. In recitals and master classes he has collaborated with the great American singers Samuel Ramey, Diane Soviero, Marilyn Horne, Dawn Upshaw, Michelle De Young, Irina Mishura, Katherine Lewek, and Jennifer Rowley. He is the Co-founder and Artistic Director of the Ann Arbor Festival of Song, and, for the past twenty-eight years, he has served the historic Mariners’ Church of Detroit as Associate Organist and Choirmaster.

Dedicated to the education and training of the next generation of operatic talent, Mr. Bylsma is Coordinator of Opera and Repetiteur at Bowling Green State University’s College of Musical Arts, responsible for vocal coaching and serving as a collaborative pianist for the school’s large body of young singers. Mr. Bylsma also served on the artistic staff of OperaWorks, an intensive opera training program, based in Los Angeles, CA.

A native of Grand Rapids, MI, Mr. Bylsma received his musical training at Calvin College, Bowling Green State University, and the University of Michigan—where he received the Robert Glasgow Organ Scholarship. He currently resides in Toledo, Ohio’s Old West End historic neighborhood with his cats: Rex and Dickens!